Excerpt from Wikipedia:
On 10 September 2015, floodwaters driven by Typhoon Etau prompted mass evacuations in Japan and overwhelmed the drainage pumps at the stricken Fukushima nuclear plant. A TEPCO spokesperson said that hundreds of metric tons of radioactive water entered the ocean as a result. Plastic bags filled with contaminated soil and grass were also swept away by the flood waters.
194 “Flooding swept away radiation cleanup bags in Fukushima”. The Japan Times Online. 12 September 2015. ISSN0447-5763. Retrieved 13 September 2015.
…we walked up one of the staircases to the first viewing platform. I recall writing years ago about the replica tower in LV and how it has tube structure within its lattice work that reduces the amount of negative space pushing through the structure.
The decision to go with glass has eliminated the oil canning issues present in some of Gehry’s sheet metal clad iconic works. It also allows the ample structure that accomplishes these shapes to be in the foreground. The night before I had gone through the sequence of gesture sketches in the documentation of a book on the Guggenheim in Bilbao.
Budapest: the many occurrences of missing stone veneer, usually revealing concrete structure with various globs of perhaps mortar, sometimes worn ends of spray foam. Frequent signs for “Escape Rooms”. A taxi driver points to a building where the KGB operated. Frequent branding of “New York”…on hamburgers, cafe, t-shirts. Something about the elevator door reluctantly closes. Blue and white interiors. A tv in the kitchen/dining room/couch area. I have no memory of the sleeping rooms.
Rem Koolhaas, but he was Latino, sat next to me on the jury.
(Discussing the project)
He had a robotic torso.
(It) looked like a bicycle frame.
I could see electrical wires that replaced his spinal cord.
I couldn’t help asking him about it.
(He said): The doctors told me it was possible…but you don’t want it.
© David Curtis 2015